Fundamentals of Painting – OIL supply list

Description

INDOOR STUDIO WORKSHOP MATERIALS & EQUIPMENT

I have compiled a list of materials you will need for the Fundamentals of Painting in OIL. This is a list on Dick Blick Art Supplies:

https://www.dickblick.com/myaccount/blicku/jfj8k1ls6hwwm/

I actually prefer these Centurion Linen panels, but they were not available through Dick Blick:

https://www.jerrysartarama.com/centurion-deluxe-oil-primed-linen-panel-8x10in-pack6-85860

Here is a complete list of materials and equipment you will need for a studio workshop. Please feel free to edit the Dick Blick supplies list as you see fit. That was only a suggested starter kit.

SUPPLY LIST:

Paints
Below is a recommended palette for Oil painters. Any professional grade will do! Avoid “hues.” At the very least you’ll want to include a tube of each of the following primary colors + white.

Titanium White (large tube)
Tier 1:
Cobalt Blue
Alizarin Crimson (Permanent)
Cadmium Yellow Light
Yellow Ochre Gold (or regular Yellow Ochre)

Tier 2:
Cadmium Orange
Viridian
Transparent Red Oxide

A Sketchbook + Pencil

This VERY important part of our practice is going to be step one on every painting we do. It must be free of lines, preferably with spiral-bound, and not too big (5×7 or so).

Viewfinder
You can find these from an art supply store, or make one out of cardboard. It is a rectangle that you look through to “crop” the scene before you draw it in your sketchbook.

Brushes
Flats, Brights, or Filberts recommended for the majority of the work. Have a good range of sizes: 2,4,6,8

Panels
At least 8 canvas/linen panels OR primed or gessoed hardboard panels (such as Gessoboard). I prefer Centurion Oil Primed Deluxe Linen panels, available through Jerry’s Artarama and sometimes the Steamboat Art Museum Gift Shop. Stretched canvas not recommended. Keep sizes between 8×10 and 12×16.

Solvent + Lidded Jar – Odorless Turpenoid, odorless mineral spirits, Gamsol, or Spike of Lavender

Palette Knife

Paper Towels – thick blue mechanics paper towels or Viva

Wet Panel Carrier (RayMar panel carrier, pizza boxes, for example)

Lightweight Easel
– I recommend a Field Easel or Pochade box (The Prolific Easel, Strada, Open Box M, Guerrilla Painter, Soltek, etc.) or a Julian French Easel.

 

Testimonials

“I wanted to thank you for the fun and exciting workshop that you hosted. It was a great experience and very productive. You were so organized and intentional to share so much painting knowledge with the group and still allowed for time to have the group paint. I really enjoyed it. I am trying to work on simplicity and limiting my values more after your workshop. Thanks again and would love to get out to paint with you any time you are up to painting.” – Chris

“Thanks again to Chula for hosting such an informative and thought-provoking workshop. Everyone was very welcoming and kind. I was sad to leave Steamboat, but I hope to be back one day soon.” – Megan

“Chula, now all my past works look cartoonish; you really turned a corner for me. I am so glad I came to Steamboat. Thank you all for the warm welcome & camaraderie!” – Anita

“That field to studio workshop was my favorite painting workshop I’ve ever taken! It was so awesome! It was really a great push for me and filled in a lot of holes in my painting/color/value knowledge. I loved it!! Hope I can do more!” – Emma

“I enjoyed each class and now have the urge to keep painting. You do good work.” – Kathleen